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Magic Realism Definition

March 4th, 2010 selge No comments

Magic Realism Definition
What do you think makes a work of art magical?

I learned about magic realism today, and wasn’t sure I liked the definition of it. I was wondering what you think of when you think of magic art.

“Art is a selective re-creation of reality according to an artist’s metaphysical value-judgments. Art fulfills this need: by means of a selective re-creation, it concretizes man’s fundamental view of himself and of existence. It tells man, in effect, which aspects of his experience are to be regarded as essential, significant, important. In this sense, art teaches man how to use his consciousness. It conditions or stylizes man’s consciousness by conveying to him a certain way of looking at existence.

“By a selective re-creation, art isolates and integrates those aspects of reality which represent man’s fundamental view of himself and of existence. That power is given to him by art.

“What are the valid forms of art—and why these? . . . The proper forms of art present a selective re-creation of reality in terms needed by man’s cognitive faculty, which includes his entity-perceiving senses, and thus assist the integration of the various elements of a conceptual consciousness.

“The so-called visual arts (painting, sculpture, architecture) produce concrete, perceptually available entities and make them convey an abstract, conceptual meaning.

NOW, HERE COMES THE ANSWER:
“It is a common experience to observe that a particular painting—for example, a still life of apples—makes its subject “more real than it is in reality.” The apples seem brighter and firmer, they seem to possess an almost self-assertive character, a kind of heightened reality which neither their real-life models nor any color photograph can match. Yet if one examines them closely, one sees that no real-life apple ever looked like that. What is it, then, that the artist has done? He has created a visual abstraction.

He has performed the process of concept-formation—of isolating and integrating—but in exclusively visual terms. He has isolated the essential, distinguishing characteristics of apples, and integrated them into a single visual unit. He has brought the conceptual method of functioning to the operations of a single sense organ, the organ of sight.

“The closer an artist comes to a conceptual method of functioning visually, the greater his work. The greatest of all artists, Vermeer, devoted his paintings to a single theme: light itself.”

Condensed by me from Ayn Rand: http://www.aynrandlexicon.com/

That answers the bold faced question, but the rest of your question is different, because you go from “what makes art magical?” to “what makes “magic realism?”

Matthew Strecher has defined magic realism as “what happens when a highly detailed, realistic setting is invaded by something “too strange to believe.”

That is not what makes art magical. That is not ““more real than it is in reality.” This is absurdity stuck in the middle of “selective re-creation of reality” so that the reality is no longer real, but surreal.

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